“Tracce” wants to highlight this facet of memory without a blatant and immediate representation; the spectator firstly has to notice the presence of the installation, turn to look at their “fake” shadow or be on their way without noticing anything.

If someone does notice the installation, a further effort is needed to fully grasp the past: the spectator’s will and actions are needed to read what is projected.

This projection is a quote from the book “Golem” by Gustav Meyrink, a book in which the theme of memory and the search for it is prevalent.

“Tracce” wants to highlight this facet of memory without a blatant and immediate representation; the spectator firstly has to notice the presence of the installation, turn to look at their “fake” shadow or be on their way without noticing anything.

If someone does notice the installation, a further effort is needed to fully grasp the past: the spectator’s will and actions are needed to read what is projected.

This projection is a quote from the book “Golem” by Gustav Meyrink, a book in which the theme of memory and the search for it is prevalent.

“Tracce” wants to highlight this facet of memory without a blatant and immediate representation; the spectator firstly has to notice the presence of the installation, turn to look at their “fake” shadow or be on their way without noticing anything.

If someone does notice the installation, a further effort is needed to fully grasp the past: the spectator’s will and actions are needed to read what is projected.

This projection is a quote from the book “Golem” by Gustav Meyrink, a book in which the theme of memory and the search for it is prevalent.